Thursday, April 29, 2010

Step Right Up, There's One Born Every Minute...

Crazy people out there, ladies and gentlemen, there's one born every minute, watch this hand and I'll sell you three for five. I heard it's sweeter than honey and finer than gold, you can't even look upon it with the naked eye...

Today I'm gonna talk about white blues and Les Paul guitars... so bail if you want, no harm, no foul...

Now everybody ever born knows that the blues is not the white man's, it's too awesome for any pale skinned man or woman to have come up with. It belongs, whether by birth, invention, or sheer perfection of the art, to a few people, some of those being, Robert Johnson,
Muddy Waters, and BB King. There are many many more, Big Bill Broonzy being a big one...
Now my favorite originator of the old school - Sister Rosetta Tharpe - take one short moment and peep this.

Now, from all these came my personal hero, Mr. Eric Clapton... circa 1962-1973 era, except that whole Cream bit... I don't go for that at all, I'm talking John Mayall's Bluesbreakers Beano Album and Derek and the Dominoes masterpiece, Layla and Other Love Songs Album... this is where it started for the white man who found peace in the blues. Eric was the first guy to take the blues to the world. I don't care what you've read, it's a lie, this is true... Eric also did something else... while every one's beloved Jimmy Page was goofing around with a telecaster,
big Easy E-Rock Clapton was smoking all those English kids on a Les Paul. Now at this time,
the Les Paul was not a guitar people cared about at all... especially not a sunburst model.
But this English kid of barely 21 years of age, picks this thing up, plugs into a tiny little Marshall combo and CHANGES THE FACE OF MUSIC FOREVER! All these dudes heard Eric play on that first John Mayall record that he did and all of a sudden, Jimmy Page, Jeff Beck, Billy Gibbons, etc, etc... go out and buy these Gibson Les Pauls and start making some pretty well known history.

now, comes my point... these original Les Pauls of the 1958-1960 breed can sell for upwards of $300,000! I don't know about you, but to me that is an absolutely inconceivable amount of money. I will most likely never see that amount in one place ever, and most of you won't either.
Fortunately, the people at Gibson are hip to this fact and make a pretty amazing Reissue that to my ears, serves me just fine. I'm reading this book by Tony Bacon called "Million Dollar Les Paul" I'm obsessed, I know, be glad you're not my wife... anyhow it goes into great detail about how these guys buy one of these old guitars, and then they want another, and another, and another, because the flame of the wood, or the sunbursts are a bit different on each one...
WHAT!? There are people starving to death down the street from me, and people are blowing hundreds of thousands of dollars on a guitar!?! Get serious about your whole life right now.
I love guitars maybe more than anyone you know. Maybe, Johnny Two Bags might love them more, but unless you know him, I'm all you've got... but my point is this... at what point to you get so hungry in your soul for something that you are willing to spend what some people make in four years as a salary on a piece of wood with strings... and the worst part about all of this, is the people who own these masterpiece guitars.... THEY AREN'T IN BANDS!!!!!! you'll never hear them on the radio, you'll never see them at the Knitting Factory, or the Stone Pony... never. Because all they do is buy these things, strum them every two weeks, and then put them back in their little vaults of gluttony. I can't understand how people will just spend and spend on things they'll never take with them. That's my rant. Live with it. There's a fine line between collecting, appreciation, and just crazy.

"Hell and Destruction are never full, and so the eyes of a man are never satisfied"


Song - "Nobody Knows You When You're Down and Out" - Derek & the Dominoes




25 comments:

  1. it is a pretty sad thing, a collectors addiction. The need to posess but to never use something to its full potential.
    I think this applies to much more than just beautiful guitars made of trees and wire.

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  2. Collecting is a form of expression. We all yearn to express ourselves. This can be a very minute way or an enormously large way. Someone can purchase a $300,000 guitar and keep it hidden away or one can be a avid collector of nice ink displayed up and down their body for all to see (which isn't cheap either). Both appreciated by their owners and (sometimes) both perceived crazy for collecting by others. Still, both, even though different, are forms of expression.
    BTW - I happen to be the collector of the latter

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  3. a friend of mine collects vinyl. he has over 30 of one particular album. is that excesive? yep oyu bet ya. do i judge him? all the time. am i jealous? you know it.

    are you maybe just a little jealous that you want it but like me and the vinyl can't afford/justify it?

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  4. The worst part is...they're the ones putting the value on the guitars! Thought really it could be anyone and any collectible item.
    I couldn't even fathom spending that much money one something that is, realistically, superfluous.

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  5. @Owner Operator, i also have that friend.. I'm not jealous. One of each is fine haha

    @Coco i just wish i could afford a good guitar at all... :(

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  6. This one time I spent $20 on a Pez dispenser. I have hundreds of them and only three bass guitars. I need to get my priorities straight.

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  7. Paul Butterfield rocked the white man blues as well

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  8. Ah, my dad has a kind of obsession with Eric Clapton. It's a big childhood memory of mine: his attempts to play Eric Clapton's stuff on guitar at three in the morning and I could hear it in my room upstairs. I must've been four or five...

    As for the guitar collectors: it's a sad state of affairs. Possibly it's my outlook on life and music that makes me say this, but an instrument, be it guitar or oboe or zither or drumkit, is made in order for people to make music on them, and so using them as a sort of collector's object without ever using them seems like a bad thing. So you've spent all that money on something you'll never use? You could have done a lot more things with that.
    It's like the violinists who buy centuries-old 'masterpieces' and keep them in cabinets and ignore the people who make soul-baring sounds on ratty old fiddles. Guitars are for playing, and in a way, it's better for a piece of wood and wire to be worn out beyond playability by someone who is trying to make something not on merit of how much gravitas the instrument has, but what they're trying to do with it, than for it to be preserved in disuse.
    If you ask me, the moment you try to keep something preserved beyond the amount of time it should exist at the cost of its intent and the reasons for why you really want to preserve it, then it loses its beauty.
    I guess that everyone has their things that they obsess over/collect etc, but sometimes you've got to wonder if what you did was worth it. Spending hundreds of thousands on a guitar you're almost afraid of playing isn't really worth it. If you play it regularly and love doing so then fair do's I guess. To use burlewn's example, it would be like getting a load of really beautiful tattoos and then covering them up for the rest of your life.

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  9. Did you know that the only reason Clapton ever got a Les Paul was because he was jealous of Any Summers? Clapton was playing a tele himself at the time and saw Summers guitar (Summers is much older than the other guys from The Police and was in Zoot Moneys Big Roll Band and The Soft Machine) and asked Andy where he got it. There happened to be another one in the store, so Clapton went and got it.
    While recording Fresh Cream, Claptons was stolen and he begged Andy endlessly until Andy sold him his.

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  10. This type of thing happens all of the time and it really is ridiculous. People can become so addicted to purchasing things that they do not even utilize. I can't imagine spending $300,000 on anything... except a house.
    It happens with these classic guitars, of course... But how do you feel about other things... like vinyl and concert tickets?
    Regarding your upcoming album and the limited edition colored vinyl, you know a good amount of those will go on eBay for well over the retail price. I also notice all this buzz going on about how the June 15 show sold out very quickly and there are tickets on craigslist, ebay, stubhub for $100+ each.
    The amount spent on these items do not compare to the jaw dropping amounts spent on the guitars you mention, but I figure... why not relate what you blogged about with another relevant event?
    I purchased both the vinyl and will be attending the show (and I'm EXTREMELY excited), but I could not imagine taking advantage of other people who love you guys like I do. People just want to see some good live music.
    I know this is out of your hands, but how do you feel about this? People buying multiple tickets and records to make a profit off of your fans... or are they just fools for spending all that extra money?

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  11. maybe mike mccready will let you play his 59 les paul in hyde park! its awesome when those original bursts do get played! just a shame only a small amount of the crowd realise what there in the presence of! And i agree the gibson reissues are fantastic instruments!

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  12. Now I'm just feeling bad for winning the drum head + cymbal auction as I do not play drums. Hope you can forgive me this, if not I might have a project in front of me

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  13. I would love to have a $3000 guitar, let alone a $300,000 guitar. People are definitely crazy!! I mean, wouldn't you rather buy a house for that kind of money?!? ...seriously.

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  14. I totally dig your stories about white bluesmen, great guitars and great music. That's why I wanna tell you all about a great bluesmusician from Germany called Gregor Hilden. Just check this clip:

    http://www.youtube.com/watch?gl=GB&hl=en-GB&v=u5aQdeWfbLc

    Cheers from a fan in The Netherlands. I love the new record, just like I love London Calling!

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  15. Hey, man. Dig the blog.
    I would love to hear some stuff about how you write your songs. How you take things you have seen or heard or experienced and turn them in to beautiful lyrics.

    see you in Boston!

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  16. Brian, from one Jersey shore kid to another... thank you for the music you make, along with your pride in our area. I go to school in the Midwest and after that disgraceful show came on MTV I have had to turn to you and the Boss even more than I ever had in order to remind myself to love where I'm from. I downloaded the CD last week, I had to I couldn't wait. But do not worry I will buy it the day it comes out you deserve the money.

    I'm so glad you wrote about Clapton. My mama always said she would leave my dad for three men growing up: Bruce, Little Steve Van Zandt, and Eric Clapton. Clapton is my least favorite of the three(Jersey bias you know?) but I still have an undying love for him. My generation(1990's) do not appreciate the fact that they can still see this great man play.

    Can't wait to see you in Philly this summer. Thanks again for everything you do for me without even knowing it.

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  17. Just wondering, i was trying to play Left of the dial, by the replacements, of course, and i can't find a decent set of tabs, anyone wanna help out?

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  18. "Live with it. There's a fine line between collecting, appreciation, and just crazy."

    You said it Brian.

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  19. ps: added you to my list of recommended reading in my sidebar at my blog at www.departarrival.com hope you dont mind.

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  20. Sounds like something that should be discussed over soft-serve and sprinkles...

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  21. HEY Brian, I'm sure you know this but the song you posted was inspired by Bessie Smith's "Nobody Knows You" from the 1920s. Talk about good old Blues. See you in Providence RI!

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  22. love love love your blog Brian,it's exactly the kind of glimpse into your mind that i want to see...beautiful,more than just a basement full of jelly jars my friend, invite me over anytime!

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  23. Layla is a weird type of song in that it's amazingly famous, but still underrated as a song. The live versions of Crossroads are face melting also.

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